Thus, Wiesler represents man without a feminine consciousness; man without a heart. Much love to you, Warmly, Deborah. He assures them that his flat isn’t bugged. The masculine energy of the Police State can only survive if there is no heart to weaken its rules and regulations. (Test), Hidden in the attic, Wiesler listens to Dreyman’s phone call announcing the suicide of Jerska. He is delivering advertising leaflets. It illuminates the corrupt system during the communist regime of the GDR. To show his allegiance to the system, Wiesler threatens to destroy Christa-Maria’s ‘life’ in the theatre. The Road Back continues at Dreyman’ flat. All content provided on this blog is for informational purposes only. Germany . But these Rewards threaten Wiesler’s career; Grubitz begins to question Wiesler’s loyalty. After discovering the motives behind the investigation, Wiesler cannot help but feel compassion for the writer he is spying on, and ignores Dreyman’s anti … And Grubitz warns Wiesler to strike this information from the record, for they are not allowed to monitor fellow members. The film won the Academy Award for the Best Foreign Language Film of 2006. Human beings have always used stories to share experience, to teach, and to humanize people. (I see this sequence as another reflection of Wiesler’s Ordinary World. Analysis Of The Film ' The Lives Of Others ' 1472 Words 6 Pages The film The Lives of Others takes place in 1984 East Germany, Stasi officer Hauptmann Gerd Wiesler is assigned to spy on playwright Georg Dreyman.Wiesler soon learns the real reason behind the surveillance: Minister of Culture Bruno Hempf covets Dreymans girlfriend, actress Christa-Maria Sieland, and is trying to eliminate his rival. Holding his sealed report in his hand, Wiesler listens to Grubitz praise their interrogation system that successfully destroys the artist. A more menial job. The film opens in East Berlin in 1984 with a sequence that alternates scenes from an interrogation with scenes from a training class for aspiring officers of the Stasi, or secret police. Wiesler questions the evidence that destroyed Jerska’s career and life. Since movies allow us to show character, revealed by action, we can appreciate von Donnersmarck’s choice to mark Wiesler’s transformation by his profession. But it’s also a Meeting of the Mentor, an invitation for Wiesler to be influenced by Dreyman’s world and his love shared with Christa-Maria. Great essay. But Christa-Maria questions both of their ‘needs’ for Hempf and the system he represents. He now knows that Grubitz is suspicious of Wiesler, but Wiesler’s relieved when the search team fails to find Dreyman’s typewriter. For other journeys, the Hero may not initially realize that he or she needs to change; their view of life may be clouded by a flaw or misperception, or even restricted from seeing life’s potential benefits. Man hunts, gathers, acquires, usurps, and destroys if threatened. thank you Hanya. ‘The unwrapping of the gift is a Turning Point from Act I to Act II in Dreyman’s journey, and sets up the larger Journey’s Crossing of the Threshold. I also perceives that being invisible often give us to compare and contrast others lives without the burden of our embarrassment, desires and shyness. Developmentally, men and women start out with energies that solely express their gender. In some stories, the protagonist may initially enter the journey anticipating an emotional change or elixir; romance and romantic comedy are two genres that regularly celebrate a character’s willing pursuit of emotional growth. The Lives of Others (2006) by Florian Henckel von Donnersmarck is a film set during the Cold War Period, a time where German secret police called the Stasi existed and went through extreme measures to prove the people’s loyalty to their country. But Wiesler isn’t the only character that grows in this story. Listening to the lives of others makes Wiesler aware of his loneliness, and he compares his life to Dreyman, envying his happiness. The mechanisms through which Wiesler comes to empathize and identify with the subjects of his investigation, as he observes and listens in on the rich blend of passion, poetry, and politics that characterizes their lives, are explored in depth. I always say–you see in me, what is already alive in you, or you could not be present to it. If you think about it, each time you share something personal about your life, you are storying the experience with a context that suggests who you are, what you believe and value, and what you dream most for yourself. But with Glasnost, Wiesler leaves the basement steaming room, and soon serves his country and his countrymen as a mail carrier. Dreyman and Wiesler have now switched positions within the story’ journey. (Approach to the Inmost Cave), When a boy at an elevator confesses his father’s disdain of the Stasi, Wiesler stops himself from demanding the father’s name. Dreyman prepares to write an essay revealing that the GDR has been hiding statistics of the high rate of suicide, especially amongst the artists. Dreyman speaks his suspicions that she is going to sleep with Hempf. ), Grubitz informs Wiesler that the mysterious car belongs to Minister Hempf. Since Wiesler travels a physical and emotional Journey, he experiences two central ordeals, one for each Journey. As the film progresses, the audience is able to see the moral transformation of Stasi Captain Hauptmann Gerd Wiesler primarily through the director 's use of the script, colors and lighting, and music. No longer the isolated revealer of secrets, he now walks the streets as a deliverer of people’s privacy. There, he finds himself. Synopsis of The Lives of Others Film : The Lives of Others monitors the cultural scene of East Berlin in 1984, during the German Democratic Republic. The plot is about the monitoring of East Berlin residents by agents of the Stasi, East Germany 's secret police. (The Second Ordeal). (Wiesler’s monitoring Dreyman’s ongoing plot Tests the Stasi agent’s two conflicting goals: to reveal Dreyman as traitor; and to protect Dreyman as artist – to help him become the ‘good man’ that Jerska had hoped Dreyman would become. Feeling is the basis to understanding, empathy, compassion, kindness and giving. She gives up the location, but Wiesler defies Grubitz and returns to Dreyman’s apartment to take the evidence. Stasi Captain Gerd Wiesler is assigned by his superior, Anton Grubitz, to spy on successful playwright Georg Dreyman and the actress, who is also Dreyman’s lover, Christa-Marta Sieland. Captain Wiesler initiates his journey to reveal playwright Georg Dreyman as an enemy of Socialism. The Lives Of Others. ), Wiesler’s transformation as a ‘good man’ is rebuffed when he discovers that the person he helped cross the border was the editor of Der Spiegel. Wiesler not only gets to know them, but he sees that he is them. Mourning Jerska’s death, Dreyman fears he’s lost his passion for writing. Yes, the issues highlighted in this movie are reality. Wiesler’s Crossing of the Threshold has unsettled Wiesler’s personal world and his professional loyalty. Since then, it’s become the basis for investigative reports, tell all tomes, and the brilliant German film The Lives of Others. d Florian von Donnersmark Wiesler as a ruthless and efficient Stasi operator and uses recording of interrogation of suspect to form Stasi trainees The film’s deeper message is that man without feeling will tend to deny, deprive, ignore, persecute, and eliminate whomever and whatever is unlike him. (This rich sequence weaves several stages. LIVES OF OTHERS, the playwright Georg Dreyman is the subject of an "Operative Procedure.") Thank you for sharing your experience and valuable insights into this difficult topic. Nov. 11, 2020. During the Journey’s Road Back Sequence, and the Plot Point from Act II to Act III, Wiesler acts as the ‘good man’ and steals the typewriter. I enjoyed your interpretation more so than the film itself. ‘Will Wiesler recognize himself as a Good Man?’. Every psychological theorist contends that balance is a requirement for healthy mental and physical functioning. Get Hardy: Dr. Deborah Khoshaba's Blog on PsychologyToday.com, HardiTraining: Managing Stress Change, Khoshaba & Maddi, Getting to Oz: The personal journey home to your true self. It begins with Wiesler teaching a class in the theory and practice of interrogation; one chilling detail is that suspects are forced to sit on their hands, so that the chair cushion can be saved for possible use by bloodhounds. Their humanness, their creativity and passion, and their love for each other stimulated Wiesler’s imagination and his feminine, more feeling side. Analysis Of The Film ' The Lives Of Others ' 1472 Words | 6 Pages The film The Lives of Others takes place in 1984 East Germany, Stasi officer Hauptmann Gerd Wiesler is assigned to spy on playwright Georg Dreyman.Wiesler soon learns the real reason behind the surveillance: Minister of Culture Bruno Hempf covets Dreymans girlfriend, actress Christa-Maria Sieland, and is trying to … (Das leben der anderen) Why I Think This Is a Classic International Movie. Many of the characters do not change their morals except for Gerd Wiesler. I can’t wait to see more postings of your film critiques. Standing in an elevator in his own apartment building, he is joined by a little boy with his football who looks up at him and asks, "Is it true you work for the Stasi?" The owner of this blog makes no representations as to the accuracy or completeness of any information on this site or found by following any link on this site. In Lives of Others, we fear for the freedom of the vulnerable couple, yet on some level it’s a thrill to spy on them along with Wiesler—to listen in on mundane conversations. Furthermore, Dreyman’s arrogant shouting in defiance of the system pushes Wiesler to compile the evidence for Grubitz. Hello Deanna, I can appreciate what you say here. How can he be a director without a play to direct?This realization pushes him toward suicide. It is their developmental task to use life experiences to integrate the energies of the other into themselves. He has sacrificed his career to protect Dreyman, and now recognizes how the system destroys its people. But his writing is now directed against the system that has destroyed his friend, Jerska, and threatened to destroy Christa-Maria. NIKKO. Warm regards to you Farrukh, Deborah! A Form to Story You've reached the "hub" for any and all Dramatica analysis of The Lives of Others. Note that in Act IIA and IIB, I’ve emphasized two Ordeals. The primary Reward earned from the First Ordeal is Dreyman’s renewed passion for his writing. Dreyman observes his ‘guardian angel’ from a distance and finally writes his ‘report’ – a book celebrating Wiesler’ sacrifice. This blog is not meant to professionally treat people psychologically. In the following Journey Breakdown, I’ve presented some of the key story moments with an interpretation of their representative Hero’s Journey stage. You expressed this juxtaposition in terms of feminine vs masculine energies. sealed evidence about to be turned in). The idea that most speaks to Wiesler’s psychology is Jung’s idea of the masculine and feminine prototypes of the human being. Christa-Maria’s revelation is the story’s Plot Point or moment of greatest despair – and it initiates the Road Back sequence. They Test his theory speaking openly about secretly bringing a relative across the border. Still today, I am moved deeply by the powerful portrayal of human being pitted against human being solely because they have no understanding of each others’ lives. (Ordinary World), A former classmate and now head of the Culture Department at the State Security, Grubitz assigns Wiesler to monitor playwright Georg Dreyman, and his girlfriend-leading lady Christa-Maria. Hi Dr D, I Just had a question about the themes in the lives of others- I really love this film, but what would you say the main theme is?? Thank you friends. Initially, Wiesler’s job is secluded in an attic, with earphones attached to his head, listening and monitoring the secrets of others. After an encounter with Hempf, Dreyman confirms that his flat was wired. 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